Tuesday, September 25, 2012
Monday, September 24, 2012
Like a lot of Gaiman's comic book work, he makes the story soothingly plotless, and is more of an opportunity for him to throw in about two mythological allusions per 3 panels rather than tell a story with actual rising action, climax, and falling action. Tim Hunter's questioning attitude keeps it real throughout, though, and Gaiman doesn't let the non-plot get away from him too much to lose good character moments and sneak in a good joke. It also works great as a story of Tim's maturity, through its chronicling of his acceptance of his magical destiny. Some standout sections include when Tim meets Merlin which portrays the famous wizard as a hormonal teenager, Doctor Occult bringing Tim through the various magical realms, and his interaction with perennially foulmouthed curmudgeon John Constantine, who seems to always be slinking in and out of Gaiman and other Vertigo writers' work, and here, he adds a bit of salty flavor to the ponderous orations on magic that the other characters make.
The part where Tim travels to the future with DC soothsayer Mister E would be less irritating and more interesting, if Mister E wasn't a self righteous jerkface who spends his whole segment browbeating Tim about morality and his destiny. Other than that, the art was good, but some of it was painted weirdly, which was off putting, and a standout was former Sandman artist Charles Vess. Overall, an ephemeral, but ultimately charming coming of age tale.
Monday, September 3, 2012
David Levithan's chapters (about the Naperville Will Grayson) tell a delicate, melancholy story about coming of age, and a gay youth's quest for meaning and love, but is also bitterly funny. This Will Grayson knows he has made mistakes, is in touch with himself, but not with others, which adds a sharp edge to his sometimes laugh out loud internal monologue. His personality has the right balance of jaded sarcasm and emotional vulnerability to make me actually care about him.
John Green's sections (about the Evanston Will Grayson), like usual, are a sharp,fizzy screwball comedy of manners about a straight teen's identity crisis that zips along at a nice pace. My main issue with his sections is the same issue I always have had with Green's work: the main character is annoying. This Will Grayson is a non-committal, indecisive, mealymouthed milquetoast whose various neuroses irritate me like usual. But also as usual, Green writes the dialogue and narration outstandingly well, and his typical bitingly witty, John-Hughes-meets-Woody-Allen blend of comedy seems to be surprisingly looser and less glum in this work.
A standout in both plots is the character of Tiny Cooper, a gay youth that has such an outsize personality, that I'm surprised he doesn't have his own spinoff book yet. The way the two threads come together is marvelously realistic, but also fairytale-y enough to be fun, and the ending is entertainingly optimistic. Overall, a great collaboration worth checking out.